Font Choices for Readability
~ by Frances McColl Stewart
http://www.n-etiquette.com
The marriage of a font to a web page is not
something to be undertaken lightly or with little thought. Your website
message is largely text – and the font you choose is your website’s voice.
A font that is unreadable or difficult for your viewer is rude. Remember
what your mother told you when your whispering excluded someone from your
conversation? <G>
Consider your audience and be considerate of your audience.
The easiest font to read is the most familiar font. The best eyesight is
generally due to the eyes being younger. Experimental fonts are in the same
class as Flash, interesting attention getters when used purposefully on an
appropriate site but out of place on a conservative community interest
website.
Some viewers have difficulty adjusting even within a website to the use of
different fonts. Whatever font you use should be used consistently. A
general interest site would normally use from two to four typefaces on a
page and restrict the number of sizes to two or three variations per
typeface.
Upper case is easier to read - balance this with the 'tone of voice' that
you are trying to establish. Interestingly, most people equate all caps in
the body of a message as shouting at them but do not do this with headers or
titles. This acceptance is most likely a throwback to street criers and news
venders who would shout the main news of the day.
If your target audience is older, it is important to increase the contrast
between the font and the background. Gray against yellow, for example is
almost indistinguishable for those with beginning cataracts.
Color blindness, on the other hand affects 1 in 12 people in the general
population. The most common is a red-green perception deficiency. There are
websites offering help and tests for your site to enable you to combine
various colors without losing over 8% of your audience. One of my favorites
is Cal Henderson’s
http://www.iamcal.com/toys/colors/
Studies have shown that sans-serif
text is easier to read on the Web. Most surfers still have very limited
screen resolution, which renders the additional strokes, or ‘serifs’,
poorly. Unfortunately, in print media, the reverse is true. If the website
in question needs to correlate newspaper ads and a website to ‘brand’ their
look, concessions can be made in other areas to compensate. Contrast can be
heightened between the background color and the font color; a larger font
size may be chosen, etc. Studies done by ACM (Computing Machinery, Inc.),
http://www.acm.org/sigchi/chi95/proceedings/intpost/tst_bdy.htm,
showed the most preferred fonts were Arial and MS Sans Serif at 9.75.
Fonts also carry emotional baggage with them. Meanings associated with a
font can be used to alienate your visitor or to reinforce the message of
your page.
Generally, sans-serif typefaces appear up-to-date. Serif typefaces appear
established or conservative. Even within these two categories, though, fonts
can be sassy, brassy, retiring or loud. The fashion in fonts has drifted
toward a primitive / childish look in recent years, perhaps a backlash to
the dark Gothic fonts previously prominent.
The Microsoft font "Comic Sans" can scream ‘amateur’ combined with some web
design but can be extremely useful when you need a non-threatening
appearance to a website that might be necessarily difficult for your
audience. It has been used to great effect in some technical tutorials.
Some of the great new Harry Potter inspired fonts (such as Parseltongue,
http://www.geocities.com/carpesaponem/aboutp.htm, are lively fun,
combining schoolboy script with (shudder) Magic! Unfortunately, they are all
but illegible in smaller sizes. I have a weakness for playful fantasy.
Somewhere, there is a website idea that is perfect for their use. Until I
find it, you all can expect this font on all of my greeting cards (in 12
point or up).
Now that you have put a lot of work and thought into your choice of font, it
is time to face a painful reality.
If we want absolute control over the font that is actually seen on our site,
we are limited to using the small selection of fonts that are installed on
most people's computers. (Basic categories of font: serif, sans-serif, and
monospace are generally interpreted as Times New Roman, Arial, and Courier
New)
Alternatives are available when the font is an important part of your
message. I have seen websites lately, where almost the entire home page was
done in graphic files. (Be sure to do this in smaller sections to reduce
load time for your page and to give yourself the option to put lots of alt
tags on – search engines do not read text done graphically.) Also, some fonts
are copyrighted in such a manner that it is illegal to embed them in a
graphic. (Be sure to check this.)
It is perhaps easier to specify fonts by listing options in order of choice.
If your chosen font is unavailable, a standard default is requested next,
followed by a font category keyword (serif, sans-serif, or monospace).
Without this specific direction, not every Web browser will interpret, or
translate, your design accurately.
Used correctly, politely and consistently, fonts will strengthen your
website’s identity or ‘brand’. Font choices enable you to control not just
your message – but the nuance, tone and ease of assimilation of your
message.
Frances McColl Stewart is the
Webmaster of
N-etiquette.com and an editor of AnyFrontPage Bytes Ezine.
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